Country Joe’s Tribute to Woody Guthrie

In 2001 I was asked by the National Steinbeck Center to give a performance as part of its display of the Smithsonian Institution traveling exhibition "This Land Is Your Land: The Life and Legacy of Woody Guthrie." This served as a reason for me to revisit my connection with Woody Guthrie and the state of Oklahoma. My father Worden "Mac" McDonald grew up in the little Oklahoma town of Sallisaw, 100 miles from the Woody’s birthplace of Okemah. My father was a farm boy and hobo like Woody. He talked about this in his autobiography An Old Guy Who Feels Good.

I grew up with Woody Guthrie music in my household and made what Marjorie Guthrie (Woody’s wife) said was "one of the finest Woody Guthrie albums ever made". That album was recorded in Nashville and titled Thinking Of Woody Guthrie.

At the West Coast Hollywood Bowl California Tribute to Woody Guthrie concert in 1975 I was asked by Harold Leventhal who managed the Woody Guthrie archives to put music to one of the many Woody Guthrie lyrics that had no recorded music. This was the first time it was ever done. I performed "Woman At Home" thus opening the door to his erotic writings and his vast library of lyrics. That performance was released on the album documenting the event.

In the 80s I produced an album of Woody’s son Joady Guthrie singing his own original songs. This was released on my own label Rag Baby and was titled Spies On Wall Street. Preparing for the Steinbeck Center event I discovered in my archives much Woody stuff I had not thought of in years. Including his correspondence with Berkeley singer/songwriter Malvina Reynolds concerning the value of cookies. This came from the little folk magazine from the 60s titled Little Sandy Review. His musings on bootleg alcohol and the New York subway from his newspaper column in the 50’s titled "Woody Sez." My father’s thoughts on the state of Oklahoma from his autobiography. Even a little song written by Joady Guthrie from his album. The result was a spoken word and sung one-man performance piece saluting Woody Guthrie’s life. I even found a picture of his on a pinto horse looking almost exactly like a photo in my father’s book of me on a pinto horse. Also several photos of Woody with his 9-17 Martin guitar which has been for many years the exact same model I have used to perform and compose on.

Over the years now I have performed my tribute about a dozen times in England and in the United States. Each time I find something new about Woody and about myself. I am hoping that perhaps someday it could become an actual theatrical performance with lights and slides and perhaps other musicians. Fifteen years later my one man show continues to get my attention and is still a "work in progress." I hope that the audience finds it as enjoyable as I do.

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Review by Skip Demuth, of a March 8, 2007 performance in Langley (Whidbey Island) Washington. Photo by Bob Gersztyn. In his highly entertaining Tribute to Woody Guthrie, Country Joe McDonald deftly conveys all the charm, talent, and social and political consciousness of the legendary folksinger from Oklahoma. McDonald, whose father Worden shared Oklahoma’s Dust Bowl roots with Guthrie in the 20s & 30s, opens the tribute with a moving performance Woody’s best-known tune, “This Land is Your Land,” and ultimately sings 13 Woody Guthrie songs, all in a strong clear voice that doesn’t mimic Guthrie’s style, but conveys the emotion and energy that defines Guthrie. Country Joe’s natural bond with Woody through music and politics allows him to read some of the quirky and intimate letters between songwriter Malvina Reynolds (“Little Boxes”) and Woody Guthrie in 1955 when Woody was hospitalized with Huntington’s Chorea in Brooklyn. He died in 1967. McDonald, who was neighbors with Reynolds in Berkeley, tells how he found these letters in the obscure folk journal Little Sandy Review. A significant body of Guthrie’s work resulted from his 30-day song-writing stint with the WPA in 1941. He was 28 and, while visiting the Grand Coulee Dam under construction, and traveling along the Columbia River in Oregon and Washington, he wrote his compelling songs -- anthems, really – “Roll on Columbia,” “Ramblin’ Round,” “Pastures of Plenty,” and “Grand Coulee Dam.” Country Joe’s performance includes several of these songs, and audience participation. McDonald reads from a column Woody wrote for the People’s World called “Woody Sez,” a funny piece showing Woody’s amazement and pain at navigating NY City on nickels and dimes. These readings, sprinkled between songs, reveal Woody’s inimitable humor through his experiences selling miracle cure potions, drinking low-quality moonshine, and the universal subject of car-breakdowns (Woody’s beater “used a quart ever’ time it backfired, an’ 2 quarts when it run front ways.”) This Tribute incorporates all the good stuff, and the hard stuff, including Woody’s sad decline from the disease he inherited from his mother, union struggles during the Great Depression, migrant life on the trail from the Dust Bowl to California, where you’re in trouble if you don’t have the “Do Re Me,” a great Woody tune McDonald sings in the show. The 90-minute performance, which includes an intermission, finishes with a reading from Joe’s Dad’s autobiography -- An Old Guy Who Feels Good (an inspired title for aging boomers). Worden (Mac) McDonald tells of his own musical aspirations, squashed by his father in a Dust Bowl childhood. Forty years later, in 1970, in a theater in San Francisco, he watched his son Joe sing “Fixin’ to Die Rag” in front of a half-million people in the movie Woodstock, and thought “Its okay Papa, Everything’s okay.” Country Joe brings to life Woody Guthrie, his father Mac McDonald, and Joe’s own connections to Woody and the politics and music of our country’s deep and soulful tradition of class division and struggle. At the end, Country Joe sings Woody’s “So Long, It’s Been Good to Know Ye.” Indeed.

From a fan: Hello, just got home from your Eugene show. I just wanted to tell you how much we enjoyed it. I was going to tell you in person at the reception time but there were people waiting in line, waiting to tell you their stories, and all I wanted to say was how cool it was to hear the music and the stories of your family interwoven with Woody’s and the readings and the songs. We were a small audience, but should have been bigger! and if I had know that it wouldn’t be full, I would have brought my parents, both in their 80’s, who would have enjoyed it very much – Dad the history and Mom the poetry. I appreciate that you have taken the time and interest to put together this part of American history and present it in this way. It was very moving, thought-provoking, and inspiring. It was interesting to hear about Woody, but equally interesting to hear about your family. Thank you for sharing it with us tonight in Eugene! Btw, I have that original Tribute to Woody Guthrie vinyl album you made in 1969! T B Eugene, Oregon "Woody could write about Okies because he was one. It is the idea of a man of the people, playing music of the people in his own way; music that the people can relate to, that says what they can't say, but what they feel. Woody did this, and it enabled others to do it. That he was a genius at doing this is almost less important than him doing it." Country Joe, as quoted in Zoe Trodd's new book American Protest Literature