ABOUT THE RECORD
In 1971 my daughter Seven Ann’s mother Robin Menken became friends with Jane Fonda. Jane sent her daughter Vanessa to the Blue Fairyland Nursery School in Berkeley. The Blue Fairyland was run by the leftist commune the Red Family. I worked in the nursery school as a volunteer and Seven went there for several years. So Jane Fonda became a regular in our life at the time.
She, along with Robin Menken and Nina Serrano got this idea for a show called "Free The Army" or FTA, after the GI Movement saying "Fuck The Army" -- in underground code, FTA. Since I had a history of EPs in the past it seemed natural to make a 7 inch EP for the occasion and as a benefit fund raiser for Jane Fonda’s organization in Los Angeles raising money for her anti-Vietnam War activities.
My mouthpiece and partner Bill Belmont coordinated the recording of the three songs with local San Francisco Bay Area musicians. We recorded in the Haight-Ashbury at Funky Features. a recording studio run and engineered by "Funky Jack" Leahey.
Memory now is fuzzy but Bill Belmont’s cousin Chris did most of the art work on the envelope sleeve except for the cover design which I developed from the helmet fist design from a GI anti-war newspaper. Jane Fonda was over at the house the day of working on the cover design talking about the FTA shows with Robin and asked if she could do some inking in of the design; I said sure and she did. I then wrote "cover design by Jane Fonda" below the helmet. She didn’t seem to mind.
I went out with the FTA show with Jane Fonda, Donald Sutherland, Ben Vereen, Robin Menken, and Nina Serrano at several GI coffee houses: Mt. Home Idaho, The Olio Strutt (which mysteriously burned down after we left with some of the records inside) …. Killeen, Texas outside Fort Hood was another show I remember. I played also in Seattle at a GI coffee house, and perhaps a few others.
The cast, plus a teen-age Holly Near and others, went on to the Philippines and Japan and made a movie titled FTA! which after a brief opening disappeared from commercial venues and exists only now as a legendary bootleg video.
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